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While you may find that a handful of people who may not agree, the general consensus is that the notorious big is the biggest hip-hop artist who ever lived. What brought him the game, Hip Hop, only more, and then a new style, or delivery, but infectious diseases and the voice of the poem images that have never thought in the hip-hop. Some in the hip-hop rap freestyle while others may be called for to go to the studio and create hits. The notorious big is the only one in the history of rap, which is able to do both at a very high level.

How much do you have not only a consistent, but you bring a number of different forms of no other person either before or do you have to do it better, it has never done so. Therefore, what the notorious big hip hop. One thing, the notorious big to do so, no other capacity, is his adaptability. For most of the hip hop artists often find a producer (who created the music) who make music is just for them. This producer of the entire work is to make music for the artist's style and compliment them. Although the notorious big is well known, on the sports diddy for the bulk of his music, he is the first hip-hop artists go out of his comfort zone and allow other producers to his music, and there should not be suitable for him Style. At this point of time in hip-hop (like it still is today) in each region has its own style of music and rap delivery. As soon as a song, you will know that the region's producers and artists before the first word, or even published. This matter, notorious big can be done is to each of these areas, rather than the use of music, but also to his delivery, to meet the specific regional artists.

It no problem, if it is the R & B and the hip hop track, rap or hip-hop track, able to adapt to the notorious big, Song hit, is purely a well-off, he single-input. If the cooperation of other artists are forgotten, as the notorious big steal show. He used the imagery and Puns of unheard of in real time and changed the practice of other hip-hop artist and play. The notorious big is not regarded as the greatest hip-hop artists who live any time in the past because of money or hit the record, he constantly made, but the impact he made on the industry as a whole hip hop. Possible that the artist, who is going after him and they may have even greater success, and then he did the impact, but his hip-hop industry will never be matched, let alone beyond.

From: Hip Hop Freestyles

Author: EzineArticles

Hip Hop Freestyles - What Makes a Great MC?

The hip hop MC to more, and then only some people, who can sit together with a piece of paper and a few words. In hip-hop has a more objective, and then those personal views on what constitutes not only a good rapper, but a great one. Let us face it, many hip-hop artists can come up with an album or two good language and they can even these songs into platinum sales record, but still does not mean that they are great MC's. Some hip-hop fans simply looking for a dramatic hook, and they can sing with, easy to remember, while others search for pure material and a perfect delivery, choose a favorite. Sales records are to learn more about marketing, then, about their quality so that any list of standards for the use of a small credulity. Therefore, it is what really constitutes a great rapper » Lyrical content, delivery and adaptability!

Lyrical content simply that not only talk about some hip-hop artist and material, but also has the ability to paint a vivid picture, through the use of images. There are no better, and then heard a hip-hop artists talk about some of you may have thought about many, many times, and let them put it in a way that is so simple, but so far-reaching, you have never even begun to see this way before .

Delivery is a little subjective category, because it is you really can not put your finger on. The most important aspects of hip hop artist of the delivery is sure their voices. You can have the greatest lyrics and beat, but if your voice is nasal or just the overall attractiveness, it simply will not resonate with the audience. The second one of the most important component of the delivery, in hip-hop world is what the so-called "flow"! 1 hip-hop artists of what is essentially different from the traffic, from all the other artists. Some hip-hop artist's flow may be primary, and some people may feel that the more the music to them. Many hip-hop artists mellow, or leisurely, with a view to their voices, while other angry with a sense of responsibility and urgency. All these aspects combine to create an artist's delivery.

Adaptability is a real touchstone to test the hip hop industry. Not only do so in the style of music, each year the past, but they also change with each producer of the hip hop artist's works. In order to adapt to the hip-hop is not just a rapper can be any style of music, including those that are able to freestyle. In no way out, I think that you can not become a great rapper did not enter to win various freestyle competitions. I note that many hip-hop artists are given music to work together on short notice, many of these same artists can not draw any material in such a short span of time. Truly great hip-hop artists can get a lot of equipment and written materials, and prepared to be recorded in a few hours.

Does this mean that there are some clear test, must abide by. Sadly, the countries concerned hip hop today is the most of its stars is built on no one really thinking in many ways, their talents. I would like to use this standard of hip hop fans of their favourite artists up to the test to see if they really survive.

From: Hip Hop Freestyles

Feelings of Music

It may be a bit of a clear statement, but it works. When you are free style, you need not listen to the track-more than you are, but feel it. If the track is fast, aggressive high-sounding beats, then you should adjust your rap, to adapt to. If the laid-off workers to return to hip-hop track your traffic and lyrics, the need for more cold.

Expand your dictionary

In other words more, you have stored in your memory away from the easy to find that elusive rhyme and will prevent you choked on the MIC. Many great free stylers, such as the supernatural has publicly said that they actually sit down and read a dictionary several times to help improve their vocab. But there are other lyric dictionary, and you can use to help make your vocab more specific to vibration.

Dedication of return

As with most things in life-is not quickly. To really do as a freestyle rap you will need the hard work and practice. Use of your time is always trying to freestyle in your head, you can not loud rap. In this way, whether you are waiting for a bus or walk in the street, you can improve your flow.

Learning to better style

Ensure that you can practice and spend the time and hour-more than beats and are convinced that you will be improved. However, you should do is to study things, will give you the best improvement. And singing and song-writing can and should be studied, as opposed to just practice.

From: Hip Hop Freestyles

People have been wondering where Juelz Santana, mayor of Santana’s Town, has been over the past couple of years. With his last studio album coming in 2005 with What The Game’s Been Missing, you would get an occasional guest appearance or a mixtape with Weezy F., but you wouldn’t really see him on any albums as a guest appearance and Cam’ron seems to have been the reason behind that.

Free of his contractual obligations to Cam’ron and DipSet, now working solely on Def Jam, Juelz talked to MTV News  about how he felt about being “sold”.

"I was upset about the part of me being 'sold for $2 million,' " Santana explained. "At times like this, nobody is trying to 'sell' me. I could have come out and said, 'Oh, yeah, Cam got bought out.' But I didn't go that route. They just gotta watch me move. We gonna make it hot."

Juelz also stated he couldn’t make guest appearances on other artists’ songs because Cam wouldn’t clear the collaborations. Cam even went as far as suing people for compensation in such cases as the Nike commercial and Chris Brown’s hit single “Run It”.

Juelz said a lot of material on others songs never saw the daylight. "I'm just gonna say a lot of big records. ... I was on a good portion of those records, or asked to be on a good portion of those records that [Lil] Wayne was on — along with him, not like they asked me before they asked him, or vice versa. I know I was on a good portion of those records, 'cause the  I Can't Feel My Face thing. We were pushing that hard. People wanted to get both of us. I couldn't go as far as the clearances. I could do my verse, then it got to the point where I couldn't go there with people, because I didn't want them to think that it was me being the bad guy not clearing stuff. I didn't want that on my name. So, I would let people know, 'I can't really. ... If you wanna just put it out on the mixtapes, we could do that all day. The fans definitely missed out on a lot of Juelz due to my contract."

Despite the contract fallout Juelz has no problems with Killa and still yells DipSet.

"I have no hard feelings towards Cam," he explained. "I tell people I couldn't do business with him. But I will say he gave me the biggest chance I needed. I'm a dude from the 'hood, so the chance he gave me is a chance I needed to never turn back. I'm good. My artistry, my talent, my career was never built on controversy. So I would never come out and say a whole bunch of things that could be said. All I can say is, I'm sorry he can't be here to be a part of what's about to happen, because we're about to tear 'em up."

Look out for Santana’s new crew of artists, Skull Gang, which is an acronym for "Street Kids United by Loyalty and Loot, Goons and N---as Getting It." The crew includes artists from Harlem, Virginia and Queens, and they will be heavily featured on Santana's next LP Born to Lose, Built to Win (The Rise of the Skull Gang).

"Everybody could get a whiff of the future," he exclaimed.

"The good thing about [my time with Cam]," he continued, "I got a chance to learn a lot and be around Cam and Jim and watch us, the Diplomats, one of the greatest movements and still one of the greatest movements doing this thing today. I know the ins and outs of what it takes to build a powerful movement. I know the things that got us to the points where we needed to be. Then I know some of the things that was holding us back. I get to work around the things I need to work around. Jim has Byrd Gang, I have the Skull Gang, and Freekey Zekey has 730."

While talking about Dipset, Juelz claims they are still intact but there is some confusion over what Cam has been up to and he would love to do another Diplomat album.

"It's no hard feelings, and now that I'm out of my situation, I don't mind putting a Diplomat album together. All I gotta do is tell my lawyer to handle the business the right way, and the music gets taken care of. I love making music. We all love making music. Me, Jim, Zeke — we all down to do the Diplomat album. You gotta ask Cam what's up about the Diplomat album when you get him front of this same camera.

"At first people kinda looked at us like, 'Damn, what's going on?' " he continued. "They looking at us like we're disloyal. But as the time went by, it's kinda like, what we gonna do, just die out because the dude that was supposed to be the boss and the head of the table decided to disappear? That means we would have vanished along with that. We from Harlem, baby. We hustlers. We're gonna stay afloat. We're not even floating right now; we're surfing. We not even surfing; I'm the ocean."

Fans won’t hear a new album from Juelz for some time, because he wants to take his time and take care of business.

"I had to let everybody know in the Def Jam building that it was no rush to hand in a single, because now I'm a businessman," he said. "There's nobody to go to when things ain't right but me. I had to find out a lot of things I didn't have to find out before. I could let other people handle things for me. I had to let the building know [the business] is where my mind is. There's a lot more people depending on me. I can't just be out here as an artist."

From: Hip Hop Freestyles

Author: Defsounds

T.I. backed Luda's comments up by saying in a separate interview, "Me and dude never had no problems. It was always turmoil between our camp and his camp. Us as the bosses of our companies, everyone is gonna follow our lead. We'd figure if it ain't no problem and we don't have no issues, no beef, then there's no reason we shouldn't be able to get together and make music. That was an executive decision that was made on both our behalves."

The track, titled "Wish You Would"is a cut from Luda's next LP, which is due in October.

From: Hip Hop Freestyles

Author: Defsounds